The crowd came for country hits, but they left with a prayer wrapped in a song.

On September 11 in Clearwater, Florida, Lee Brice stopped mid-set and told the audience he wanted to do something different. Instead of sticking to the usual tracklist, he picked a song that he rarely performs, “When the Kingdom Comes,” and dedicated it to Charlie Kirk, just one day after Kirk was assassinated in Utah. The stage lights dimmed, and Brice made it plain. “Usually we do a couple of other songs, but tonight I’d like to play this and dedicate it to Charlie and what he so adamantly stood for,” he said. “I don’t want to see a picture of this country without God in it.”

Written by Brice, his wife Sara, Billy Montana, and Jon Stone, “When the Kingdom Comes” is not your standard radio single. It is a gut-check ballad that runs straight into the reality of suffering and redemption. A hungry kid on a dirty floor. A teenage girl with scars. A lonely man in a Porsche. A single mom pulling a second shift. The lyrics pull no punches, and they build toward one message: when the sky splits and God’s kingdom finally arrives, the broken get made whole, and love is the only thing left standing.

Brice said he had only played it live a couple of times when he felt led, but this night was not about crowd-pleasers. It was about Charlie. “The most special songs that I’ve ever written, and what I knew Charlie stood for as far as his faith … he always had a Jesus-like manner, even in debates with college kids,” Brice told The Will Cain Show. “So that was what I wanted to do. I felt like it was the song that if Charlie was here, he would have wanted to hear.”

Videos from the night show Brice with his guitar, leaning heavy on the lyrics, his voice catching as the crowd sat still, listening. You can hear one voice from the audience call out, “Thank you, brother,” before the applause erupted. That was not just a fan moment, it was church.

Brice later admitted he never thought about backlash, although a few friends texted him and said, “Man, you might lose fans for that.” He brushed it off. “If what I did up there offended you to the point where you don’t like me or don’t want to come to my show, then I don’t really care if you’re at my show or not,” he said. “All that was in my head was recognizing someone I know had a heart of God.”

Charlie Kirk’s life and death had already inspired other tributes. In Missouri that same night, country singer Gavin Adcock waved an American flag and led his fans in chanting Charlie’s name before telling them, “Charlie’s with Jesus. Say some prayers tonight before you go to sleep.” Brice, however, took a quieter path. Instead of a chant, he gave the crowd a hymn.

For Lee Brice, this was more than a setlist change. It was a declaration. It was a reminder that music can still carry faith like a torch into the dark. “When the Kingdom Comes” may never top the charts, but on that night in Florida, it turned into something bigger. It was a promise sung loud enough to echo past grief and into eternity.

Because in the end, that is what Charlie Kirk stood for. And that is what Lee Brice gave him.